Volume 31, Issue 2, October 2020:View More Content
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Transmedia Sai-lou: The evolution of Hong Kong’s core values through comics, film and street protests
Author: Wong, Wendy Siuyi (pp.151-168)
In this article, I investigate the evolution of the core values of the Hong Kong people through the term Sai-lou , by means of storytelling in a transmedia context and with a focus on different historical stages, from approximately the end of the Second World War to the 2014 Umbrella Movement.
Home is where the kitchen is: Rinco’s Restaurant (2009) and Little Forest (2014, 2018)
Author: Choi, Jinhee (pp.169-185)
The kitchen has become a prominent trope in East Asian cinema, the narratives of which revolve around the homecoming of female protagonists: Rinco’s Restaurant (2009) and Little Forest (2014, 2018).

Transmedia storytelling and transmediated bodies in Fullmetal Alchemist (2017)
Author: Choo, Kukhee (pp.187-202)
Hagane no Renkinjutsushi (Fullmetal Alchemist) (2001, Hagaren in short) is a Japanese comic book franchise that not only expanded into a larger supersystem through its transmedia storytelling on multimedia platforms.
Haunting China: Ecopoetics of Zhao Liang’s Behemoth
Author: Pecic, Zoran Lee (pp.235–251)
Taking a close look at Zhao Liang’s 2015 documentary Behemoth, this article argues that the film employs the aesthetic of slow cinema and combines it with Marxist critique in order to generate an ecological awareness that pushes the boundaries of ecocinema.

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