Volume 17, Number 2, September 2020: View More Content
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Rural geographies and the New Chinese Cinemas: Imaging progressive places in Hou Hsiao-Hsien’s Dust in the Wind and Jia Zhangke’s Platform
Author: Lo, Dennis (pp.131-150)
The New Chinese Cinemas were unprecedented in critiquing official narratives of progress through dramatic location-shot images of rural Taiwan and China.
An unconventional zombie: Subcultural genres, global art cinema and bio-power in Sebastian Hofmann’s Halley (2012)
Author: Vera, Cristina Ruiz-Poveda (pp.163-181)
With an unconventional living-dead protagonist and a minimalist auteur style, Halley brings to the fore how the tensions between genre movies and art cinema operate in a transnational context.

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