Volume 62, Issue 3, Autumn 2021:View More Content
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Colour-as-hue and colour-as-race: early Technicolor, ornamentalism and The Toll of the Sea (1922)
Author: XIN PENG (pp. 287-308)
Technicolor’s initial efforts at both two-colour and three-colour motion pictures displayed its ability to capture a variety of skin tones.
Rehearing modernity: the black religious voice across media landscapes
Author: Joseph Coppola (pp. 309–329)
On the very same day that Thomas Edison debuted the Vitascope, the US Supreme Court negotiated the landmark case Plessy v. Ferguson.

Designing the ideal film studio in Britain
Author: Sarah Street (pp. 330–358)
In 1944 a report was written by Helmut Junge, son of émigré film set designer Alfred Junge, as part of his studies for the Diploma in Town Planning at University College, London.
Zimbabwe: cinema exhibition and consumption in a shadow economy
Author: Oswelled Ureke (pp. 359–374)
This essay explores the state of cinema exhibition and the underlying dynamics of screen media consumption in Zimbabwe, a country ravaged by years of economic and political strife.

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